THE MASTERKEY® SERIES OF DOWNSTREAM
LINEAR VIDEO KEYERS
ANALOG COMPOSITE, COMPONENT, CHROMA KEY AND SERIAL DIGITAL
MASTERKEY 1, MASTERKEY 2, MASTERKEY 3, MASTERKEY 4, CARDKEY,
MASTERKEY 5,
MASTERKEY 6, MASTERKEY 7, MASTERKEY
CK/CK-1, KP500 CHROMA KEY PROCESSOR
MASTERKEY 1/2/3/4 ANALOG COMPOSITE LINEAR KEYERS

MASTERKEY is a registered trademark of Broadcast
Video Systems Corp.
The new generation of anti-aliased character generators, paint boxes and
DVE's require a truly linear keyer to take advantage of the clean edges produced by this
equipment. The superb keying capability of Masterkey makes possible a virtually
seamless inlay when keying these pre-filtered sources into program video. With Masterkey's
unique combination of key gain and key slope controls, any degree of transparency may be
achieved. Masterkey will also accept the linear key output of modern color matting systems
to produce immaculate inlays of RGB sources.
All models meet the same stringent specifications. Different control
systems and additional features are offered to enhance the versatility of Masterkey in a
wide range of applications. Whether the function is downstream or stand-alone, on-air,
remote, or post-production, there is a Masterkey model to provide a cost effective
solution to the most demanding requirement.
Features Common to All Models
MASTERKEY 1

This is the basic linear keyer that is the heart of the
Masterkey series. The remote panel provides for manual mix-to-key and fade-to-black using
slider pots. Color black is derived from the program video input, making it unnecessary to
cable in a timed color black signal. The remote panel also contains the gain and slope
controls which vary the degree of linearity of the key processing. This model will also
perform an A/B mix between two video sources if desired. Full preview, preceeding the
mix-to-key and fade-to-black, is provided. The 4.5" x 4.5" remote panel is
designed to mount in a 3.5" x 4" opening in a control desk. A 25ft. control
cable (5 conductor) is supplied. (Note: the Masterkey 1 is not
equipped with GPI for mixing to key or fading to black.)
The MK1 offers excellent value with its superb keying
capabilities, combined with a straightforward manual control panel. It is well suited for
installations where manual switching and control of video is performed, such as in mobile
vans and small edit suites. For updating older switchers equipped with a hard keyer, or
simply adding another key level, the MK1 is the perfect solution.
MASTERKEY 2

This model is ideal for unattended operations, where it is
necessary to insert a key into program video via a contact closure. Digital shaft encoders
are used for the gain and slope controls on the remote panel. The gain control may be
preselected to also control the rate of mix-to-key. A numeric readout displays the
television frame rate (1-500 frames) in which the mix-to-key will occur. The mix-to-key
may be initiated either from the mix button on the remote panel, or via a GPI connector on
the rear panel. Preview out is provided. There is no fade-to- black facility on this
model. The 4" x 6" remote panel is designed to mount in a 3.75" x
5.25" opening in a control desk. Control interconnect is via a 3-wire RS422 serial
link. Mating DB9 connectors are supplied.
MASTERKEY 3

This model has all of the features of the MK2 with the
addition of a master fade-to-black. The color black signal is derived from the program
input. The control panel contains two numeric readouts, one for mix-to-key rate and one
for fade-to-black rate. Both are adjustable from 1 to 500 frames. The gain and slope
controls may be preselected via the rate button to set the mix and fade rates. Both the
mix-to-key and fade-to-black may be initiated from remote panel pushbuttons or via
external GPI's. The 4" x 6" control panel is designed to mount in a 3.25" x
5.25" opening in a control desk. Control is via an RS422 serial link. Mating DB9
connectors are supplied.
Where it is necessary to mix-to-key and/or fade-to-black at
preset, frame accurate rates, the MK3 is the obvious choice. It can be triggered from any
editor in a post production application. For on-air application, it allows an operator to
preset the mix and fade rates and take them on command.
MASTERKEY 4

This model incorporates all of the features of the MK3, but
with the following added facilities. The MK4 has a four input key and fill source
switcher, plus a "key invert" feature. There is an on-board, non-volatile memory
to store the precise gain and slope settings for each key input. When a new key source is
selected, the gain and slope values will instantly revert to previously optimized
settings. New values may be set and stored from the remote panel at any time. The feature
"key masking" defines a particular rectangular area wherein the key will
operate. This area may also be inverted. The defined area will appear as a bright-up
rectangle in the preview monitor. The gain and slope controls may be preselected to adjust
the key mask size and positioning. Each input may be selected via internal jumpers to
operate in a special key mode in which the fill signal always remains at full amplitude
regardless of the key setting. This allows for even cleaner edges when keying anti-aliased
equipment.
The remote control panel is housed in a 6" x 6"
sloped front cabinet or may be mounted in a 5.25" x 5.25" cutout. Control is via
an RS422 serial link. Mating DB9 connectors are supplied. The MK4 fills the requirement of
selecting keys from multiple sources. As the parameters for each key source may be
optimized and stored, the operator has only to switch to the desired source as required.
The additional features of key area masking and key polarity invert, make the MK4 the
preferred model for both post-production and on-air operations.

CARDKEY:
ANALOG LINEAR KEYER ON A SINGLE BOARD

The Cardkey plug-in linear video keyer, is a low cost
version of our successful Masterkey linear keyers. This PC board version plugs directly
into a Leitch Video DA frame. Up to three Cardkeys may be
rack-mounted in the BVS FR710, 1RU frame and power supply. For desk-top
use, a single Cardkey may be housed in the BVS FR3 half-rack width frame and
power supply. Cardkey is the ideal solution for low cost, fully linear keying of
logos and EAS message inserts.
Features:
Seamless inlays of graphics, DVE's, CG's
Remote mix to key via pushbutton or GPI
Mix rate user adjustable from cut to 5 sec.
Remote tally
Self key or external key
Card edge controls to adjust key transparency
May be used as an A/B mix amp
Upstream, downstream or stand alone
May be cascaded for multi layer keys
Available in NTSC and PAL standards

MASTERKEY 5 - ANALOG COMPONENT LINEAR KEYER
The superb transparent insert that has made the Masterkey
series the industry standard in composite linear keyers, is now available in component
format. The MK5 may operate downstream from a component production switcher, or as a stand
alone keyer in a component edit suite. Keys may be mixed in or out at a variable rate from
the remote panel, or via a GPI. The degree of transparency may be controlled by the remote
gain and slope control.

MASTERKEY 6 - SDI DOWNSTREAM LINEAR
KEYER

The most cost effective solution
for flawless linear keys.
Features:
SMPTE 259M, ITU-R 601 standard
10 bit in and out, 12 bit processing
100% linear keying with adjustable transparency
Frame accurate mix to key and A/B mix
Momentary or latching GPI
Handles embedded audio
EDH inserted on program output
Auto timing of program, key and fill
300 meters automatic cable equalization
Front panel may be removed and remoted up to 200 ft.
Choice of 1RU or desktop remote panel
RS-422/232/485 control port
Optional failsafe bypass
Optional redundant power supply
Click here
for description of MK6 Operating Features

MASTERKEY 7 - SDI DOWNSTREAM LINEAR KEYER

The MK7 is the most versatile
SDI linear keyer in the industry - loaded with all the features needed to make it an
indispensable toolbox in any digital production environment.
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MASTERKEY CK - RGB CHROMA KEYER
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| When your production requires a clean, life-like chroma key, the Masterkey
CK is the perfect choice. The chroma keyer is housed in a 1RU chassis and is
equipped with a remote panel with controls for key gain and slope, fade to black, and mix
to key faders. A digitally operated hue control is accessible behind the removable
front panel. Full preview output is provided. This unit is available in
both NTSC and PAL standards. |
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MASTERKEY CK-1 RGB CHROMA KEYER
The CK-1 is the ideal unit for small productions, where
consistent, drift-free performance is required. Housed in a one rack unit chassis,
the economical CK-1 is well suited for installations involving non-technical
personnel. The three operational controls are located behind the front
panel, which enables the keyer adjustments to be optimized at
installation. This "set and forget" design makes the CK-1
perfect for unattended or semi-automated operation in arcades and virtual
entertainment establishments. This model has the same chroma keying
qualities as the Masterkey CK, but does not have a remote control panel, preview
output, or fade to black. The CK-1 is available in both NTSC and PAL
standards.


KP500 CHROMA KEY PROCESSOR
The KP500 accepts RGB from
a camera or graphics source, and develops a linear key signal, which faithfully
represents the color difference contained in the scene. This key signal, when
fed to a linear video keyer, such as the BVS
MASTERKEY series, will produce an
extremely smooth RGB chroma key, free of tearing and edge effects. By adjustment
of the GAIN and SLOPE controls on the Masterkey, it is possible to key transparent objects and retain lifelike shadows.
The KP500 is housed in a
1RU chassis complete with power supply. The digitally operated hue
control, for selecting keying color, is located behind the front panel.


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